Wilkerson
Gallery

Shelly's granddaughter Ally listening to Jimmy Buffet music

The first time Ally saw Grandma's art, she thought that it would
be THISSSSSS BIG!

Shelly's new home in Mt. Morris, NY. It was built in the 1890's,
and has a basement and 3 floors above. It was built for $65,000
in 1890 and each of the original light fixtures are still in
the house in original condition.
Red Hatter?
Well, even though I was only
a temporary member... (all the other ladies were retired
and they go out during the day to their functions)... At
least I made an attempt. Guess I just have to keep workin'
and missing out on the fun. Bet you can't figure out which
one I am. I mean, um, you're supposed to have a sense
of humor, right?
Mount Morris, NY
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WHAT
INSPIRED ME
When I was very
small, I used to drag a cat around with me wherever I went.
Where other small people used well-worn flannels to drag
through leaves, dirt, peanut butter and jam, I had my cats.
Suffice it to say that they were the best-loved critters
on the block, if not the ‘best dressed’. While
plastic and porcelain dolls sat gathering dust on the shelves,
my parents and their colleagues determined that I was to
be a “veterinarian in training” as they observed
me bundling small furry mewing things in bandages, blankets,
bibs and cribs. The companionship of the cats seemed to
fill my emotional needs as well as my imagination. They
passed the time while the new baby brother addition kept
mother, dad and my grandmother occupied. My main human cohort
was my grandfather who contributed greatly to my ever-blossoming
imagination. His grandfatherly yarns contained some of the
all time greatest grampa fibs ever fabricated. This widened
my eyes and prepared me for my own yarn spinning abilities
later as I began to find trouble to get into. A good imagination
can be one’s best friend when one is busy enjoying
life in a manner that mother would not approve. I also learned
that the old folks were the ones that were full of tall
tales, comfy laps, warm cookies, and magic. I’ve loved
the seniors ever since.
As a rather loquacious
preschooler, I was often plopped in the rear of the station
wagon, given some paper and a pencil and told to “Shut
up and draw”. This kept me occupied as well as my
parents sane on most family trips. It also kept me from
yanking my little brother’s hair when the folks weren’t
looking. I spent a lot of time day dreaming on those trips.
I dreamed about one day becoming a famous artist and running
away to France where I would paint to eat.
Growing up in
San Diego, California in an area of upper middle class professionals
was not what one would expect from the average starving
artist. My parents were never really poor, yet they weren’t
as wealthy as our neighbors or as well off as mother would
have liked. She spent much of her time dreaming, scheming
and trying to figure ways for Dad to claw his way up that
corporate structure. This met with a little difficulty for
a meat cutter for a large chain grocery. His occupation
suited me fine, though as it meant that we would have steak
at least once a week. That was my absolute favorite. I could
have eaten cow morning, noon and night. I was a card carryin’
meat and potatoes kid. While other kids were developing
craters in their teeth from candy and junk, I was building
a case for concrete arteries… Until I reached my thirties
and I discovered red wine. Eventually the trips for annual
checkups showed that I had evened out my LDL with my HDL,
so the stuff they say in medical journals must be true.
HOW
I DID IT
Drawing and painting
were always only my ‘hobby’. I dabbled in it
whenever I had some spare time that was not already reserved
for my family, my job, my house or my yard. My art encompassed
painting on walls as I decorated my home to fashioning things
out of seashells and driftwood to hang in my patio.
My first real
job in art was in the medical field where I did some freelance
medical illustration for a few publications. My work had
always been tight-handed making me a good candidate for
an illustrator. I suppose it was all that work in the back
seat of the station wagon with a 5”x7” pad of
paper.
Unfortunately,
as the family grew along with their needs, I had to do other
things to pay those bills. Usually my biggest dilemma was
finding the time to do what I enjoyed. It seemed that my
day job always took precedence thereby eliminating the time
I needed to pound out the artwork I loved. Working as a
Planner/Scheduler in various industries from utilities to
aerospace kept me in paint, canvases, sketchpads and an
occasional bottle of wine, but rarely presented me the time
to create.
As a contractor,
I moved about the country and saw many beautiful spots.
Vermont was breathtaking as were parts of Connecticut. Living
in San Luis Obispo County in the late eighties offered the
scenic beauty that eventually heralded my desire to once
again take up the paintbrush. The rolling hills were fluorescent
green in the winter and spring (which gave the locals reason
to refer to them as the “Irish Hills”). In the
summer, they turn to shades of gold enhanced by the live
oaks and lovely vineyards dotting the hillsides. We lived
in the Los Osos/Morro Bay area on California’s Central
Coast. This afforded us the luxury of a fog bank that crept
in each evening and lingered. Our area was kept cool when
other spots in the county were feeling the sweltering heat.
The fog bank also laced fingers out to the hills and settled
in the small valleys below. This frequently changing mood
touches the artist in most people and I was not spared.
I knew I had to drag out the easel when I moved there.
Over the years,
my tight handed illustrations had kept most of my images
small and confined to the 8 x 11 reams of copy machine paper
or small sketch pads. Many of my quick designs, drawings
and cartoons went straight to recycle bins. College soon
changed all that.
While on a sabbatical
from my contract job, I enrolled in a local college in San
Luis Obispo to get some “art culture”. I chose
a mixture of classes to get a feel of the different types
of media to find my true niche. My instructors seemed bent
on turning me into a neo-expressionist and continually persuaded
me to use my entire arm and body to make one brush stroke.
Working my way from cramped 5”x7” paintings
and illustrations to 4’x 6’ canvases was difficult
at best. I had dug a groove in the way I put pencil to pad
over all those years and no teacher who was almost young
enough to date my kid was going to tell me any different.
Nevertheless, I succumbed to peer pressure and managed to
pull A’s in all of my classes despite my grumbling.
My cartoons have
always seemed to command the most attention. Cartooning
may be my first love even over my painting. For many years
I longed to become a political cartoonist. Perhaps it’s
because of my desire to portray people as others see them
and not as they would have you see them. I always said that
in my business, (my day job), one had to maintain a sense
of humor to survive. Well, I’ve survived thus far
and no one has gotten too offended by my portrayals. Many
friends, family members and (yes, my cats) have become characters
that have skittered across the paper and found lives of
their own.
I have dabbled
in many mediums and tried out many subjects. I have determined
that I will never have exactly what I’m looking for
as long as new mediums are introduced and new subject matter
raises it’s head for me to have fun with. I seem to
be destined to do my ‘own thing’, I’m
afraid. I have given up the serious and launched into the
whimsical, coupling my love for cartoons with my love for
painting. The results, I hope, will make you smile.
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